{"id":3557,"date":"1998-04-10T12:08:34","date_gmt":"1998-04-10T12:08:34","guid":{"rendered":"http:\/\/www.revistacriterio.com.ar\/bloginst_new\/sin_categoria\/siete-anos-en-el-tibet\/"},"modified":"1998-04-10T12:08:34","modified_gmt":"1998-04-10T12:08:34","slug":"siete-anos-en-el-tibet","status":"publish","type":"post","link":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/?p=3557","title":{"rendered":"Siete a\u00f1os en el Tibet"},"content":{"rendered":"<p class=3texto style=\"MARGIN: 0cm 0cm 0pt; TEXT-INDENT: 0cm\"><span style=\"FONT-SIZE: 10pt; FONT-FAMILY: Verdana; mso-bidi-font-size: 11.0pt\">Decenas de bolivianos y juje\u00f1os caminan por Uspallata, mientras un actor norteamericano, con saco de lana en pleno febrero, sale de la estaci\u00f3n de trenes de La Plata. Maravillas del cine: en la pantalla, lo que vemos son tibetanos en su pa\u00eds, y un austr\u00edaco saliendo de Graz en 1939. Desgracias del cine: todo ese esfuerzo, para una pel\u00edcula finalmente fallida. Del estupendo director de <i>El oso<\/i> y <i>La guerra del fuego<\/i>, cab\u00eda esperar algo m\u00e1s que una superficial ilustraci\u00f3n sobre la cuesti\u00f3n tibetana seg\u00fan Hollywood, con tanto despliegue para tan poca sustancia. Esperemos a ver c\u00f3mo ser\u00e1 el <i>Kundum<\/i> de Martin Scorsese, pero hasta ahora, era mejor <i>Horizontes perdidos<\/i>, de Frank Capra&#8230;<?xml:namespace prefix = o ns = \"urn:schemas-microsoft-com:office:office\" \/><o:p><\/o:p><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Decenas de bolivianos y juje\u00f1os caminan por Uspallata, mientras un actor norteamericano, con saco de lana en pleno febrero, sale de la estaci\u00f3n de trenes&#8230;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-3557","post","type-post","status-publish","format-standard","hentry","category-cultura"],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6FC4i-Vn","_links":{"self":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/posts\/3557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3557"}],"version-history":[{"count":0,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/posts\/3557\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}