{"id":5545,"date":"2011-01-01T17:39:20","date_gmt":"2011-01-01T20:39:20","guid":{"rendered":"http:\/\/www.revistacriterio.com.ar\/bloginst_new\/?p=5545"},"modified":"2011-01-01T17:39:20","modified_gmt":"2011-01-01T20:39:20","slug":"poesia-nostalgia-de-un-dios-oculto","status":"publish","type":"post","link":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/?p=5545","title":{"rendered":"Poes\u00eda: Nostalgia de un Dios oculto"},"content":{"rendered":"

Dios<\/span><\/p>\n

est\u00e1 y no est\u00e1<\/span><\/p>\n

es y no es<\/span><\/p>\n

ajenas pues le resultan<\/span><\/p>\n

la humana contradicci\u00f3n<\/span><\/p>\n

y la feroz turbamulta.<\/span><\/p>\n

\u00c9l cre\u00f3 el gregoriano<\/span><\/p>\n

el bandone\u00f3n de Piazzolla<\/span><\/p>\n

y a Miles violando al silencio<\/span><\/p>\n

los nen\u00fafares de Claude<\/span><\/p>\n

el equilibrio de Calder<\/span><\/p>\n

el color primo de Rothko<\/span><\/p>\n

y de Hopper el silencio<\/span><\/p>\n

el teorema de arena<\/span><\/p>\n

del memorioso Pit\u00e1goras<\/span><\/p>\n

y el fervor de Galileo<\/span><\/p>\n

ante la sacra asamblea.<\/span><\/p>\n

Eppur si muove no dice<\/span><\/p>\n

porque ignora la moci\u00f3n<\/span><\/p>\n

de andar o quedarse quieto:<\/span><\/p>\n

invent\u00f3 la eternidad<\/span><\/p>\n

de lo veloz y lo lento.<\/span><\/p>\n

Hasta una vez sospech\u00e9<\/span><\/p>\n

que envidiar\u00eda a Morandi.<\/span><\/p>\n

Amigos del bulevar<\/span><\/p>\n

tan suaves y posmodernos<\/span><\/p>\n

honremos al que se esconde<\/span><\/p>\n

(Deus que llaman absconditus).<\/span><\/p>\n

En el primer d\u00eda de oto\u00f1o<\/span><\/p>\n

sent\u00ed el temblor de su sombra<\/span><\/p>\n

cuando mis manos cern\u00edan<\/span><\/p>\n

parcas semillas del tiempo<\/span><\/p>\n

en la tierra transitoria.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Dios est\u00e1 y no est\u00e1 es y no es ajenas pues le resultan la humana contradicci\u00f3n y la feroz turbamulta.<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[122],"class_list":["post-5545","post","type-post","status-publish","format-standard","hentry","category-cultura","tag-poesia"],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6FC4i-1rr","_links":{"self":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/posts\/5545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5545"}],"version-history":[{"count":0,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=\/wp\/v2\/posts\/5545\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revistacriterio.com.ar\/bloginst_new\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}